Some of the main breakouts of Swiss cinema in 2026—and the few years that precede it—share one striking commonality: they are either entirely in English or feature large chunks of English. Think Petra Volpe’s Locarno-winning “Frank & Louis,” Damien Hauser’s festival darling “Memory of Princess Mumbi,” Denis Rabaglia’s buzzy “Butterfly Stroke” and, of course, Tim […]